Tonytony wrote: ...
Aleg then comes in with Accourate software which I don't get. It costs nearly as much as the dac I currently have. But it interests me more than the paper as I feel it might deliver something tangible. When I have time I will download the trial version.
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Where do you get lost regarding the Acourate software? Can I enlighten you?
It is software that does room corrections in a digital way. So instead of placing bass traps, diffusors and messing about with speaker position, you digitally record the sound at your listening position. The software does a complete frequency sweep, say from 10 Hz to 28 kHz, and measures how that sweep is received at your listening position.
Because it knows at what time and with what amplitude each frequency was sent, it can analyse what your room does with the sound that is leaving your speakers. It will detect amplitude changes due to intermodulation of waves and reflections, it detects phase shifts, it detects pulse responses which show how long it takes for a signal to die down. It measures the acoustic response of your room.
What it does next is some psycho-acoustic analysis, which details are beyond me, but which determines how our brains are interpreting that measured acoustic response.
After that you determine what your target response curve would idealy look like (there are some easy guidelines to determine that and you can experiment with it yourself).
Finaly it calculates a filter which contains the digital correction that need to be applied to digital music to obtain the optimal target response.
A few caveats:
1. You can only apply it to DIGiTAL music. Either realtime with an ASIO-based interface to a realtime convolver, which will introduce additional cpu activity. Or off line whereby you create copies of your music files which have the correction applied to them.
2. For best results you NEED 24-bit playback(regardless of the bit-depth of the original music files). All digital corrections are done with 64-bit wordlength and those 64-bits need to be dithered back to idealy 24-bits but can be done to 16-bits. I find 24-bits significantly better though. So if using MQn you need to have (at this moment) a DAC-driver that supports Gordon's "24-bits in a 32-bit container".
Regarding costs, I agree it is not really cheap stuff, but it appears it is (one of) the best DRC-software available. Put into perspective of MY digital chain (Naim DAC + XPS-2 + SonicWeld Diverter HR2 + GISO GB + highend digital cables for ethernet, USB and SPDIF) it is not that expensive and brought me large gains in an area I could/would not have addressed with other means.
You can always ask for a free trial conversion, you need to be able to make a sweep recording though, so a microphone and an ASIO compatible recording soundcard is the minimum required. Uli Brueggemann will make a converted version of a few tracks so you can hear the effects and judge for yourself.
If there are any questions, feel free to ask ...
Cheers
Aleg