....a powerful performance as one would expect from the Lindsays
What are you listening to?
Re: What are you listening to?
On vinyl....
....a powerful performance as one would expect from the Lindsays
....a powerful performance as one would expect from the Lindsays
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Do be do be do: Sinatra
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Re: What are you listening to?
Richly enjoying Corelli's glorious Violin Sonatas this evening as performed by Pavlo Beznosiuk and his Avison Ensemble (available on the Linn label). I really enjoyed this ensemble's recording of Corelli's Concerti Grossi and admired their elegant and refined approach to these masterpieces but I was a little lax in picking up their recording of the violin sonatas. However, I was listening yesterday to Andrew Manze's and Richard Egarr's classic version of these works and I found myself enraptured by this deeply-felt and incredibly moving music and I decided to purchase the Avison version today. The main difference between the two versions is in the instrumental textures which, in addition to the harpsichord and violin on the Egarr/Manze recording, are embellished by the incorporation of organ, archlute and guitar into the mix. The result is one of the most entrancing CDs I've heard this year.
The more I hear Corelli's work, the more convinced I am that he is the true craftsman of the Italian Baroque. His body of work is significantly smaller than Vivaldi's but everything the man produced was touched with genius. There is a tenderness and emotional warmth to the man's writing which eschews any kind of empty, showy virtuosity. Corelli was a master violinist and taught many violinist-composers such as Locatelli, Geminiani and, most notably, Vivaldi, but I think the relative paucity of his creative output as well as the self-evident craftsmanship of his compositions tell us a great deal about what must have been a modest, reserved man who appeared to be more interested in instilling a formal clarity and classical elegance into his music which never comes at the expense of emotional expressivity. Personally, I can't imagine Bach and Handel and Vivaldi composing their instrumental masterworks without studying at length the works of this master.
The more I hear Corelli's work, the more convinced I am that he is the true craftsman of the Italian Baroque. His body of work is significantly smaller than Vivaldi's but everything the man produced was touched with genius. There is a tenderness and emotional warmth to the man's writing which eschews any kind of empty, showy virtuosity. Corelli was a master violinist and taught many violinist-composers such as Locatelli, Geminiani and, most notably, Vivaldi, but I think the relative paucity of his creative output as well as the self-evident craftsmanship of his compositions tell us a great deal about what must have been a modest, reserved man who appeared to be more interested in instilling a formal clarity and classical elegance into his music which never comes at the expense of emotional expressivity. Personally, I can't imagine Bach and Handel and Vivaldi composing their instrumental masterworks without studying at length the works of this master.
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Re: What are you listening to?
mcq wrote:Richly enjoying Corelli's glorious Violin Sonatas this evening as performed by Pavlo Beznosiuk and his Avison Ensemble (available on the Linn label). I really enjoyed this ensemble's recording of Corelli's Concerti Grossi and admired their elegant and refined approach to these masterpieces but I was a little lax in picking up their recording of the violin sonatas. However, I was listening yesterday to Andrew Manze's and Richard Egarr's classic version of these works and I found myself enraptured by this deeply-felt and incredibly moving music and I decided to purchase the Avison version today. The main difference between the two versions is in the instrumental textures which, in addition to the harpsichord and violin on the Egarr/Manze recording, are embellished by the incorporation of organ, archlute and guitar into the mix. The result is one of the most entrancing CDs I've heard this year.
I have the Andrew Manze's and Richard Egarr version Paul and Beznosiuk's treatment of these works with the additional instrumentation sounds most intriguing.
I would agree with you on the value and importance of Corelli's legacy.
To be is to do: Socrates
To do is to be: Sartre
Do be do be do: Sinatra
To do is to be: Sartre
Do be do be do: Sinatra
Re: What are you listening to?
Spohr's Clarinet Concertos Nos. 2 & 4....
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Re: What are you listening to?
My listening is all over the place recently and here I am back to high Baroque with Georg Muffat....
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Re: What are you listening to?
And finally back to the 18th century with Manfredini....
These are very charming works that are packed full of melody. It is music that is leaving Telemann and Vivaldi behind and is heading in the direction of Haydn and Mozart and is a nice mix of the elegance of Haydn and the vitality of Vivaldi.
These are very charming works that are packed full of melody. It is music that is leaving Telemann and Vivaldi behind and is heading in the direction of Haydn and Mozart and is a nice mix of the elegance of Haydn and the vitality of Vivaldi.
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Do be do be do: Sinatra
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Re: What are you listening to?
Back to Boccherini....
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Re: What are you listening to?
Debussy's La Mer from this CD....
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Re: What are you listening to?
How many female composers (with the possible exception of Hildegard Von Bingen) do you have in your collection? Here is one for you; Barbara Strozzi (1619-1664)....
Beautiful singing from the Soprano, Judith Nelson and William Christie plays harpsichord accompaniment!
Beautiful singing from the Soprano, Judith Nelson and William Christie plays harpsichord accompaniment!
To be is to do: Socrates
To do is to be: Sartre
Do be do be do: Sinatra
To do is to be: Sartre
Do be do be do: Sinatra
Re: What are you listening to?
Composers of classical music? None, I'm afraid, not even anything by Fanny Mendelssohn or Clara Schumann.fergus wrote:How many female composers (with the possible exception of Hildegard Von Bingen) do you have in your collection? Here is one for you; Barbara Strozzi (1619-1664)....
"To appreciate the greatness of the Masters is to keep faith in the greatness of humanity." - Wilhelm Furtwängler