Moving Coil vs Moving Magnet
Posted: Wed Apr 11, 2018 12:05 pm
Hi All,
I am sure you have read discussed the above topic many times with many differing conclusions. Thought it may be worthwhile to mention my own experience.
A while back I broke the cantilever on my Dynavector xv1t. There is a huge problem trying to get it properly repaired.
I won't digress into this at the moment as it would take a year and a day.
Prior to the Dynavector I had a Transfiguration Proteous both of these excellent cartridges at a heavy price.
Having got frustrated I decided to try the moving magnet route.
I started with a Ortofon 2m Black which in all fairness sounded excellent and not a far cry from the Dynavector.
A friend of mine in Scotland suggested I try a London Super Gold mm cartridge.
He had one which he was happy to send over for me to try.
This cartridge looks basic in construction and resembles a small tin can on the end of the tone arm. You can also get a pod for it should your arm not be able to facilitate the mounting arrangement.
I have a Origami PU7 12 inch which is more than suitable for the cartridge.
It is supposed to require a fairly well damped arm to function at its best.
Having set it up with tracking at 1.8g and allowing the valve amps to warm up,away I went.
I could not believe what I was hearing for a moving magnet cartridge.
There is a lot of hype in the audio field about this cartridge and initially I was sceptical.
No more,it has a wide soundstage, great dynamics,a clarity to die for.
Vocals come across as stunningly real. There is no doubt it beat the Dynavector and the Transfiguration Proteous hands down.
No more will I fork out thousands for a moving coil. This cartridge would surpass them easily.
It is not cheap coming in at about a thousand euros.
This far better than paying three to five thousand for a high end moving coil which in my humble opinion would not be able to reach the standard of the London Super Gold.
Food for thought !
I am sure you have read discussed the above topic many times with many differing conclusions. Thought it may be worthwhile to mention my own experience.
A while back I broke the cantilever on my Dynavector xv1t. There is a huge problem trying to get it properly repaired.
I won't digress into this at the moment as it would take a year and a day.
Prior to the Dynavector I had a Transfiguration Proteous both of these excellent cartridges at a heavy price.
Having got frustrated I decided to try the moving magnet route.
I started with a Ortofon 2m Black which in all fairness sounded excellent and not a far cry from the Dynavector.
A friend of mine in Scotland suggested I try a London Super Gold mm cartridge.
He had one which he was happy to send over for me to try.
This cartridge looks basic in construction and resembles a small tin can on the end of the tone arm. You can also get a pod for it should your arm not be able to facilitate the mounting arrangement.
I have a Origami PU7 12 inch which is more than suitable for the cartridge.
It is supposed to require a fairly well damped arm to function at its best.
Having set it up with tracking at 1.8g and allowing the valve amps to warm up,away I went.
I could not believe what I was hearing for a moving magnet cartridge.
There is a lot of hype in the audio field about this cartridge and initially I was sceptical.
No more,it has a wide soundstage, great dynamics,a clarity to die for.
Vocals come across as stunningly real. There is no doubt it beat the Dynavector and the Transfiguration Proteous hands down.
No more will I fork out thousands for a moving coil. This cartridge would surpass them easily.
It is not cheap coming in at about a thousand euros.
This far better than paying three to five thousand for a high end moving coil which in my humble opinion would not be able to reach the standard of the London Super Gold.
Food for thought !