ALPS RK 501 Potentiometer
Posted: Fri Sep 10, 2010 11:45 pm
Soon after I bought my Airtight ATC 2 pre-amp (over a year ago)
Ivan Cloney cruelly mentioned that there was an upgrade available for it, which could be retrofitted. The upgrade was an improved volume control. I didn't think much about it, but I looked it up and found out that this was an ALPS RK 501 Potentiometer
Recently I discovered that ALPS had discontinued this pot some time ago, but I assumed that Airtight had a stash of them. I asked Ivan to make inquiries and discovered that Airtight had just one left! I ordered it.
The shiny object arrived in Blackrock a few weeks ago and I brought my ATC 2 in for the minor surgery required. Now the ATC 2 is an extremely good pre-amp, which was clearly better than my old Jadis JP30MC which in turn was clearly head-and-shoulders above all the pre-amps I had been able to compare it with, some of them very highly thought of. With the the new pot, all of its virtues were polished to a higher sheen: the transparency is just staggering! Pulling out very familiar records (like Simone Kermes in LAVA)
I'm hearing around and behind the musicians, hearing all the continuo instruments in detail, hearing their timbres beautifully, their melodies truly: in fact everything I thought the ATC 2 did perfectly it now does better!
Icing on the cake update: I got an unexpected bonus from dCS in the post this week, a data CD to use to update the software on the Scarlatti DAC
This includes improved DSD play and two new filters for 44.1 play. Can I just say "unbelievable palpability"?
Ivan Cloney cruelly mentioned that there was an upgrade available for it, which could be retrofitted. The upgrade was an improved volume control. I didn't think much about it, but I looked it up and found out that this was an ALPS RK 501 Potentiometer
Recently I discovered that ALPS had discontinued this pot some time ago, but I assumed that Airtight had a stash of them. I asked Ivan to make inquiries and discovered that Airtight had just one left! I ordered it.
The shiny object arrived in Blackrock a few weeks ago and I brought my ATC 2 in for the minor surgery required. Now the ATC 2 is an extremely good pre-amp, which was clearly better than my old Jadis JP30MC which in turn was clearly head-and-shoulders above all the pre-amps I had been able to compare it with, some of them very highly thought of. With the the new pot, all of its virtues were polished to a higher sheen: the transparency is just staggering! Pulling out very familiar records (like Simone Kermes in LAVA)
I'm hearing around and behind the musicians, hearing all the continuo instruments in detail, hearing their timbres beautifully, their melodies truly: in fact everything I thought the ATC 2 did perfectly it now does better!
Icing on the cake update: I got an unexpected bonus from dCS in the post this week, a data CD to use to update the software on the Scarlatti DAC
This includes improved DSD play and two new filters for 44.1 play. Can I just say "unbelievable palpability"?