October: Chopin - The Nocturnes
Posted: Sun Sep 30, 2012 5:14 pm
Chopin – The Nocturnes
Of all the contributors to this fine series of threads on classical music, I am probably the least qualified to set the agenda for the month of October. Be that as it may, I chose to focus on the music of Frederic Chopin and specifically his Nocturnes. Chopin wrote for and played the piano. Most of my listening is to Rock, Blues, Country and other ‘non classical’ music but when I listen to classical music, it usually is piano. I love the sound of a piano. At a live performance of piano, I am always astonished at the dynamics and sheer loudness of a concert grand. Yet in skilled hands, notes just about audible are regularly played. About the only sound not possible from this stringed instrument is the ability to raise or lower the pitch of a note [string bending on a guitar]!
The Wiki entry for Nocturnes includes the following:
“The Chopin nocturnes constitute 21 short pieces for solo piano written by Frédéric Chopin between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form developed by Irish composer John Field.”
The Nocturnes are amongst Chopin’s most popular works – romantic in mood, graceful in style. They are aptly named conjuring up dreamy settings, melodic night music. The nocturne is literally ‘eine kleine nachtmusic’, a little night-music, usually short and restful with a gentle ending. Most of them include a restless middle section that adds weight and completeness to each piece. Chopin wrote 21 works in this form. Of the three nocturnes of Opus 9, the second is popular with its touching melody and lullaby ending. Opus 15 is another set of three of which the second, in F sharp minor, is exquisite, a piece with notes dropping like raindrops on a roof. Opus 27 comprises two gems, the first in the same key as Beethoven’s ‘Moonlight Sonata’ – C sharp minor. It displays the same calm nocturnal mood initially but builds to a powerful climax before coming to rest [beautifully] in the major key.
The above italicized text is typical of the entry for Nocturnes in most of the music reference books I have access to. I think that it is easier (and better?) not to over analyze them or to search for hidden sounds or imagery in the music. Simply enjoy them for what they are: short complete pieces of piano music.
Listening to Chopin’s Nocturnes:
Chopin THE NOCTURNES, with Claudio Arrau on the piano [CD].
Chopin THE NOCTURNES, with Maria Joao Pires on the piano [CD].
Frederic Chopin NOCTURNES, with Daniel Barenboim on the piano [cassette tape].
A few Nocturnes are included on:
The Master Pianist, featuring Youri Egorov [CD].
The Classical Collection, published by Orbis [CD].
CHOPIN, featuring Naum Starkman on the piano [CD].
It is usual to include a few of the Chopin Nocturnes in most piano compilation CDs. They are liable to crop up here and there in your collection; I would go as far as to say it is unlikely that you have none in your collection if you have any piano CDs.
To be honest the sonics or performance is not something that I listen for. The music is played on my hi-fi system but, for some reason, I listen through the system to the music that is being played. Unless the sound balance on the recording is way off (and it seldom is), I hear the tone of the instrument and enjoy the acoustics of the location (if there are any) but it is the music that I hear. This may be one reason why I am a hopeless reviewer of hi-fi equipment!
As always, I look forward to reading the postings of knowledgeable forum members.
Of all the contributors to this fine series of threads on classical music, I am probably the least qualified to set the agenda for the month of October. Be that as it may, I chose to focus on the music of Frederic Chopin and specifically his Nocturnes. Chopin wrote for and played the piano. Most of my listening is to Rock, Blues, Country and other ‘non classical’ music but when I listen to classical music, it usually is piano. I love the sound of a piano. At a live performance of piano, I am always astonished at the dynamics and sheer loudness of a concert grand. Yet in skilled hands, notes just about audible are regularly played. About the only sound not possible from this stringed instrument is the ability to raise or lower the pitch of a note [string bending on a guitar]!
The Wiki entry for Nocturnes includes the following:
“The Chopin nocturnes constitute 21 short pieces for solo piano written by Frédéric Chopin between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form developed by Irish composer John Field.”
The Nocturnes are amongst Chopin’s most popular works – romantic in mood, graceful in style. They are aptly named conjuring up dreamy settings, melodic night music. The nocturne is literally ‘eine kleine nachtmusic’, a little night-music, usually short and restful with a gentle ending. Most of them include a restless middle section that adds weight and completeness to each piece. Chopin wrote 21 works in this form. Of the three nocturnes of Opus 9, the second is popular with its touching melody and lullaby ending. Opus 15 is another set of three of which the second, in F sharp minor, is exquisite, a piece with notes dropping like raindrops on a roof. Opus 27 comprises two gems, the first in the same key as Beethoven’s ‘Moonlight Sonata’ – C sharp minor. It displays the same calm nocturnal mood initially but builds to a powerful climax before coming to rest [beautifully] in the major key.
The above italicized text is typical of the entry for Nocturnes in most of the music reference books I have access to. I think that it is easier (and better?) not to over analyze them or to search for hidden sounds or imagery in the music. Simply enjoy them for what they are: short complete pieces of piano music.
Listening to Chopin’s Nocturnes:
Chopin THE NOCTURNES, with Claudio Arrau on the piano [CD].
Chopin THE NOCTURNES, with Maria Joao Pires on the piano [CD].
Frederic Chopin NOCTURNES, with Daniel Barenboim on the piano [cassette tape].
A few Nocturnes are included on:
The Master Pianist, featuring Youri Egorov [CD].
The Classical Collection, published by Orbis [CD].
CHOPIN, featuring Naum Starkman on the piano [CD].
It is usual to include a few of the Chopin Nocturnes in most piano compilation CDs. They are liable to crop up here and there in your collection; I would go as far as to say it is unlikely that you have none in your collection if you have any piano CDs.
To be honest the sonics or performance is not something that I listen for. The music is played on my hi-fi system but, for some reason, I listen through the system to the music that is being played. Unless the sound balance on the recording is way off (and it seldom is), I hear the tone of the instrument and enjoy the acoustics of the location (if there are any) but it is the music that I hear. This may be one reason why I am a hopeless reviewer of hi-fi equipment!
As always, I look forward to reading the postings of knowledgeable forum members.