cybot wrote:Double Lp posted on Friday 15th March from Brooklyn and arrived today in Ireland. Surely some record?
I am sure that the pun was unintentional Dermot and is therefore forgiven LOL!!!
cybot wrote:Double Lp posted on Friday 15th March from Brooklyn and arrived today in Ireland. Surely some record?
Well spotted Duke :) By the way I'm surprised you didn't pass any comment on Max Richter's Vivaldi Four Seasons (Re)composition on the DG label! I posted it ages ago over on the Electronic section. I haven't bought it myself yet but you never know....Have a look at the YT link below and see what you think....fergus wrote:cybot wrote:Double Lp posted on Friday 15th March from Brooklyn and arrived today in Ireland. Surely some record?
I am sure that the pun was unintentional Dermot and is therefore forgiven LOL!!!
cybot wrote:
By the way I'm surprised you didn't pass any comment on Max Richter's Vivaldi Four Seasons (Re)composition on the DG label! I posted it ages ago over on the Electronic section. I haven't bought it myself yet but you never know....Have a look at the YT link below and see what you think....
No worries Fergus. I admire your honesty. The idea of recomposing somebody's work doesn't bother me. I actually like the idea of a reinterpretation of a piece of music but, strangely enough, not classical! Give me improvisation rather than recomposition any day.....Work that one out :)fergus wrote:cybot wrote:
By the way I'm surprised you didn't pass any comment on Max Richter's Vivaldi Four Seasons (Re)composition on the DG label! I posted it ages ago over on the Electronic section. I haven't bought it myself yet but you never know....Have a look at the YT link below and see what you think....
I actually did notice it Dermot but decided not to comment at the time but since you have asked I personally dislike people "recomposing" works that have stood the test of a few hundred years. I personally do not get it. I also think that, although I like some of his work and own some, Max would be better "recomposing" some of his own work and leave Antonio's alone. If others like it and enjoy it then good for them. That is just me and unfortunately you did ask my friend.
cybot wrote: The idea of recomposing somebody's work doesn't bother me. I actually like the idea of a reinterpretation of a piece of music but, strangely enough, not classical! Give me improvisation rather than recomposition any day.....Work that one out :)
Oh yes, I agree.cybot wrote: The idea of recomposing somebody's work doesn't bother me. I actually like the idea of a reinterpretation of a piece of music but, strangely enough, not classical! Give me improvisation rather than recomposition any day.....Work that one out :)
This is one of those things that still lives on in the organ world, at least in certain countries. I'm a pretty good player, but improvisation is a skill I simply don't possess in any way, shape or form. When I witness it done well I find it quite mind-blowing. Truthfully, my extreme lack of ability in this area makes me feel like a complete fraud as a musician.fergus wrote:In days gone by in the Classical music arena improvisation was the norm; even expected of the composer/performer. That ability seems to have been lost nowadays or is taught out of students or is simply not in fashion anymore.
fergus wrote:cybot wrote: The idea of recomposing somebody's work doesn't bother me. I actually like the idea of a reinterpretation of a piece of music but, strangely enough, not classical! Give me improvisation rather than recomposition any day.....Work that one out :)
I absolutely agree with that Dermot. I think that there is a sniff of arrogance and pretentiousness about "recomposing". Improvisation is another thing altogether. In days gone by in the Classical music arena improvisation was the norm; even expected of the composer/performer. That ability seems to have been lost nowadays or is taught out of students or is simply not in fashion anymore. However, no matter what genre of music is concerned, improvisation demands a certain level of understanding and expertise which some have and some do not....remember those looonnnggg rock guitar solos in the 60s and 70s LOL?!?!
Gosh, that's very harsh.Diapason wrote:This is one of those things that still lives on in the organ world, at least in certain countries. I'm a pretty good player, but improvisation is a skill I simply don't possess in any way, shape or form. When I witness it done well I find it quite mind-blowing. Truthfully, my extreme lack of ability in this area makes me feel like a complete fraud as a musician.fergus wrote:In days gone by in the Classical music arena improvisation was the norm; even expected of the composer/performer. That ability seems to have been lost nowadays or is taught out of students or is simply not in fashion anymore.