What are you listening two?
Re: What are you listening two?
Ludwig van Beethoven
Piano Concerto No. 5
BBC Symphony Orchestra
Paul Lewis - Piano
Jiří Bělohlávek conducting.
This is a throughly wonderful performance of Beethoven's Fifth, Lewis playing is delicate, powerful and sumptuous throughout and the BBC SO are magnificent, this performance is second only to Murray Perahia's with Haitink and the RCO in my affections; even those not enamored with the sound of the piano will love this. ;)
Last edited by Seán on Tue Mar 04, 2014 9:45 am, edited 1 time in total.
"To appreciate the greatness of the Masters is to keep faith in the greatness of humanity." - Wilhelm Furtwängler
Re: What are you listening two?
Johannes Brahms
String Quartet in C minor, op 51 No. 1
Amadeus Quartet
"To appreciate the greatness of the Masters is to keep faith in the greatness of humanity." - Wilhelm Furtwängler
Re: What are you listening two?
Well Pepe, what do you think of Price and Domingo in Aida....
To be is to do: Socrates
To do is to be: Sartre
Do be do be do: Sinatra
To do is to be: Sartre
Do be do be do: Sinatra
Re: What are you listening two?
Allegri for the day that's in it. Tallis Scholars obviously.
Nerdcave: ...is no more!
Sitting Room: Wadia 581SE - Rega Planar 3/AT VM95ML & SH - Bluesound Node II - Copland CSA 100 - Audioplan Kontrast 3
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Sitting Room: Wadia 581SE - Rega Planar 3/AT VM95ML & SH - Bluesound Node II - Copland CSA 100 - Audioplan Kontrast 3
Kitchen: WiiM Pro - Wadia 151 - B&W 685s2
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Re: What are you listening two?
That´s Verdi singing you just can´t find these days. Leontyne Price recorded Aida some 7 years before with Solti and Jon Vickers. If forced to choose I would prefer her first recording because if anything, the voice was even more resplendent and ravishing (in the early 60´s), but even in her second outing she outshines any other soprano of her generation. The real quibble in Erich Leinsdorf´s conducting, he was never very idiomatic on Verdi.fergus wrote:Well Pepe, what do you think of Price and Domingo in Aida....
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Re: What are you listening two?
It´s Ash Wednesday and it´s time to start listening to Passion music. Since this year the great Niccoló Jommelli will turn 300 years old, let´s start with his superb setting of the Lamentationes. An extraordinary recording with Gérard Lesne and Veronique Gens. Superb music gloriously sung and played.
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Re: What are you listening two?
Another exquisite Gérard Lesne recording.
Re: What are you listening two?
Jose Echenique wrote:That´s Verdi singing you just can´t find these days. Leontyne Price recorded Aida some 7 years before with Solti and Jon Vickers. If forced to choose I would prefer her first recording because if anything, the voice was even more resplendent and ravishing (in the early 60´s), but even in her second outing she outshines any other soprano of her generation. The real quibble in Erich Leinsdorf´s conducting, he was never very idiomatic on Verdi.fergus wrote:Well Pepe, what do you think of Price and Domingo in Aida....
I am no expert Pepe as you know but I have to admit that I certainly did hear a difference here for the better over the von Karajan version.
To be is to do: Socrates
To do is to be: Sartre
Do be do be do: Sinatra
To do is to be: Sartre
Do be do be do: Sinatra
Re: What are you listening two?
Finishing off a version of Der Rosenkavalier by E. Kleiber this evening....
....I really like this work I must say.
....I really like this work I must say.
To be is to do: Socrates
To do is to be: Sartre
Do be do be do: Sinatra
To do is to be: Sartre
Do be do be do: Sinatra
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Re: What are you listening two?
fergus wrote:Of course there´s a difference with the Karajan dear Fergus. Karajan uses Mirella Freni, really a light lyric soprano, too light for Aida, and Carreras was also too light for Radames.Jose Echenique wrote:That´s Verdi singing you just can´t find these days. Leontyne Price recorded Aida some 7 years before with Solti and Jon Vickers. If forced to choose I would prefer her first recording because if anything, the voice was even more resplendent and ravishing (in the early 60´s), but even in her second outing she outshines any other soprano of her generation. The real quibble in Erich Leinsdorf´s conducting, he was never very idiomatic on Verdi.fergus wrote:Well Pepe, what do you think of Price and Domingo in Aida....
I am no expert Pepe as you know but I have to admit that I certainly did hear a difference here for the better over the von Karajan version.