Prokofiev - Suite Love for Three Oranges (Rudolf Kempe, BBC Symphony Orchestra, BBC Legends)

bombasticDarren wrote:Tchaikovsky - Marche Slave & Capriccio Italien (Adrian Leaper, Royal Philharmonic Orchestra, Naxos)
Diapason wrote:
This is really lovely, sensitively played in a massive acoustic. Only problem is I can't shake the feeling that it's the kind of music played in the communal areas of expensive spas.
Yes, what I have heard so far was beautifully recordedfergus wrote:bombasticDarren wrote:Tchaikovsky - Marche Slave & Capriccio Italien (Adrian Leaper, Royal Philharmonic Orchestra, Naxos)
I think that is a lovely CD Darren with very good performances of those works. I hope that you enjoy it
I think close attention pays massive dividends and the music itself is quite satisfying, but I suspect this will get more airplay as background music than concentrated listening. There's something about the sound of the lute that I find simultaneously soporific and new-agey, and it means that I don't hear or appreciate the musical lines as much as I would on another instrument. (I actually have a similar issue with harpsichord, although at the opposite end of the spectrum: the musical line is swamped (for me) by the sound of the instrument itself.)fergus wrote:Diapason wrote:
This is really lovely, sensitively played in a massive acoustic. Only problem is I can't shake the feeling that it's the kind of music played in the communal areas of expensive spas.
As you said you had not heard this music before Simon I did not want to pre-empt your listening impressions but I think that it is not bad music but it certainly is not the most engaging music the JSB wrote.
Cheers for that Simon....I will probably end up buying it myself at some stage!Diapason wrote:
I think close attention pays massive dividends and the music itself is quite satisfying, but I suspect this will get more airplay as background music than concentrated listening. There's something about the sound of the lute that I find simultaneously soporific and new-agey, and it means that I don't hear or appreciate the musical lines as much as I would on another instrument. (I actually have a similar issue with harpsichord, although at the opposite end of the spectrum: the musical line is swamped (for me) by the sound of the instrument itself.)
In any case, I'm very glad I bought this disc.
So just relax and let it soak in!Diapason wrote:
This is really lovely, sensitively played in a massive acoustic. Only problem is I can't shake the feeling that it's the kind of music played in the communal areas of expensive spas.