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Re: What are you listening two?

Posted: Wed Nov 13, 2019 11:49 am
by markof
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Re: What are you listening two?

Posted: Fri Nov 22, 2019 10:59 am
by markof
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Re: What are you listening two?

Posted: Mon Dec 16, 2019 1:07 pm
by markof
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Re: What are you listening two?

Posted: Fri Jan 10, 2020 11:23 pm
by mcq
Kicking off the weekend in style with Haydn’s Op. 20 and Op. 33 string quartets as performed by the Quatuor Mosaïques whilst indulging in a subtly charming 2015 Meursault from Domaine Parigot. Sheer bliss.

Re: What are you listening two?

Posted: Wed Jan 15, 2020 1:25 pm
by markof
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Re: What are you listening two?

Posted: Thu Jan 16, 2020 12:37 pm
by cybot
markof wrote: Wed Jan 15, 2020 1:25 pm Image
Beautiful sleeve.....

Re: What are you listening two?

Posted: Fri Jan 17, 2020 1:10 pm
by markof
cybot wrote: Thu Jan 16, 2020 12:37 pm
markof wrote: Wed Jan 15, 2020 1:25 pm Image
Beautiful sleeve.....
Lovely playing too. In fact the quality of playing and production on the alpha label is very high.

Re: What are you listening two?

Posted: Mon Mar 02, 2020 1:12 pm
by markof
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Re: What are you listening two?

Posted: Fri Mar 06, 2020 1:20 pm
by markof
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I had the pleasure of seeing this ensemble last night at the Cork School of Music.
They took us on an extraordinary musical voyage from the 13th. century to the present day - quite the experience.

Mark

Re: What are you listening two?

Posted: Fri Apr 03, 2020 10:01 pm
by mcq
Over the past week I have been listening to the first of the two box sets that were issued to commemorate the 50 year anniversary of Deutsche Harmonia Mundi and what a glorious journey it has been. Each disc has offered up an embarrassment of riches to the listener. There is an emphasis on instrumental and choral music from the Renaissance and Baroque periods and the repertoire is richly varied from Lassus and Palestrina to Forqueray and Couperin. Two discs showcasing the masses of Frescobaldi are an undoubted delight as are the recordings of Scarlatti’s St. John Passion and a selection of the great man’s cantatas. But tonight I’m listening to the discs devoted to a favourite of mine, Rameau, specifically the orchestral suites of Hippolyte et Aricie, Platée and Dardanus as well as a complete recording of the one act opera, Pygmalion. What strikes me most about Rameau is his sense of humanity. There is a warmth in his music, an appreciation of kindness and delicacy and mutual respect and an absolute rejection of cruelty and wanton violence, which is perhaps equaled only in the operas of Handel, and I can accord Rameau no higher praise than to equate his achievement with arguably the greatest secular composer of all.