Re: What are you listening to?
Posted: Sun May 22, 2011 9:06 pm
another first listen... very light, melodic and accessible... nothing deep here in these early works, but certainly very pleasant...
thanks Fergus... at present, I have the 2 disks I've posted today, and I'm sure that in due course more will follow... some very interesting material for Violin, Viola & orch on this disk, which will require several listens..fergus wrote: I know that you have been planning a Hummel odyssey for some time now so I hope that you enjoy your journey!
I too like those two works Jared; I have them but in another version.Jared wrote:
another first listen... very light, melodic and accessible... nothing deep here in these early works, but certainly very pleasant...
It's easily one of my favourite sounding instruments in the world.DaveF wrote: The organ sound from the one here in Saint Ouen was recommended to me and it certainly doesnt disappoint. Right up there with St Sulpice to my amatuer ears anyway.
Simon, Dave... I was wondering, did any of you purchase the April BBC Music Mag with Bach Organ works played by David Goode? The editorial team said they had a lot of very positive responses about that one, even (in the case of one letter) from a chap who had previously not enjoyed the Organ...Diapason wrote:It's easily one of my favourite sounding instruments in the world.DaveF wrote: The organ sound from the one here in Saint Ouen was recommended to me and it certainly doesnt disappoint. Right up there with St Sulpice to my amatuer ears anyway.
Next stop, St Sernin de Toulouse!
Simon, what do you make of Daniel Roth's playing? I've seen many youtube clips of him playing.Diapason wrote:It's easily one of my favourite sounding instruments in the world.DaveF wrote: The organ sound from the one here in Saint Ouen was recommended to me and it certainly doesnt disappoint. Right up there with St Sulpice to my amatuer ears anyway.
Next stop, St Sernin de Toulouse!
Basically, I think he's a master! He has an unusual technique at times, and physically plays in a way that I can't reproduce (often landing on the keys from a starting place 6 inches above, for example) but he has tremendous skill with French romantic repertoire. I wouldn't be a fan of Bach, Buxtehude, Sweelinck et al played on these instruments and his style doesn't suit that, but he has an astonishing ability with the French stuff. At first hearing it can actually sound very strange when compared to other (English, etc.) performers, he uses rubato in ways that most others don't, but he always gives the music so much space and time that when you get used to his style it's hard to go back. I did a masterclass with him in the Pro-Cathedral a few years ago. As you can imagine I was pretty nervous, but he's a really nice man, and a very good teacher.DaveF wrote:Simon, what do you make of Daniel Roth's playing? I've seen many youtube clips of him playing.