Joyce is back and singing -if that is possible- better than ever. Her last glorious CD was Drama Queens released almost 2 years ago, and now she returns to Belcanto, with a program of music composed for those legendary divas that reigned in the Teatro San Carlo at the beginning of the XIX Century.
The well known items are Romeo´s aria from I Capuleti e I Montecchi and the last scene from Maria Stuarda that DiDonato has been singing so memorably lately. Not that rare either is Rossini´s Zelmira, but what about Pacini´s Stella di Napoli and Saffo? or Valentini´s Il Sonnambulo and Carafa´s Le Nozze di Lammermoor?
Joyce DiDonato is at the height of her powers: the voice sails from top to bottom with insolent ease, she has every trick under her sleeve, in these frighteningly difficult music nothing sounds labored or strained (as iss often the case with Fleming in this repertoire) and everything is truly sung, even grandly sung, not crooned (Bartoli anyone?). Her singing is as brilliant and exciting as was Sutherland´s in the Art of the Prima Donna or Caballe´s in her Rossini Rarities album, she is THAT good.
Smart woman that she is, and with impeccable taste too, she hired baroque violinist and now conductor Riccardo Minasi, who recorded such a fine Tamerlano for Naïve this year. Minasi is a big Belcanto lover and his care is evident in every aria. He also was involved in the preparation of Norma´s critical edition that Bartoli recorded 2 years ago -but that was not his fault-.
I have already heard thrice this CD and can´t stop playing it.