Re: Eist Dubh
Posted: Thu Aug 15, 2013 11:44 am
I'll try and keep this as brief as I can. It's going to be hard! Myself, with Fergus in tow, paid a visit to Derek's abode yesterday. We spent almost four hours there listening, chatting, eating and generally having a ball. I'm glad to say the boys were impressed with some of my selected obscurities. More of that later.
So, where to start? The very first vinyl I put on was a funnily titled album called 'My Get Up And Go Just Got Up And Went' by a chap called Ass (Andreas Söderström). It's a sort of acoustic guitar with strange sounding instruments thrown in for good measure. It sounded absolutely stunning though the Dubh's. Everything Derek and Nigel spoke about already was there in spades - separation, dynamics, spatiality, clarity and completely effortless detail. It was a stunning start!
After that things went slightly awry as I wasn't getting the bass I knew was on the records. When we came back after having a lovely lunch (thanks Derek) I put on a Jessika Kenney Lp (Aestuarium). I sat in the same chair which, incidentally, was almost in the middle of the room. Again it sounded wonderful. The stunning interplay of vocals and viola was a joy to the ears. Completely natural. Then I put on 'Dies Mei' which has a repeating hand drum pattern played by Jessika's partner Eyvind. However I wasn't getting the lovely repeated unforced deep sounds that I know from my own system. Then Fergus suggested I sit further back (on the stairs) which, he rightly pointed out, mimics my own listening position at home. Wow! What a difference! Now I was getting the sound I knew was on those drums. And......I also knew from that moment on that all the earlier stuff I wasnt completely happy with would now sound as they should. They did and thrillingly so.
Then came the moment I was dreading:namely the Electronic(a) albums I brought along. Will the Dubh's do ample justice to the bass frequencies. "Ah well, here goes" says I :) The first piece on the tt was 'First Date - Jumble Sale' from 'Meet Next Life' by Isan. When the bass kicked in I nearly fell off the stairs lol! Wow!!!! The bass was there in spades and sounded so natural and unforced, if that's possible from Electronic music. Then with a twinkle in my eye I put on 'One Man Abandon' which has the most delicious analogue electronic bass known to mankind. This time I did fall off the stairs lol! Again wow!!! Why do you people talk about tight bass this that and the other. This is more than I expected from a pair of drivers. Oh and before I forget, I honestly thought Derek had switched in a super tweeter the detail was that incredible. Now I know these two tracks inside out and the Dubh's just kicked them into a whole new level of insight. Marvellous :)
So it's a no brainer that I have to hear these babies with my own setup asap. Also a big thank you to Derek and Fergus for putting up with me and for making me feel so welcome (and well fed!). THANK YOU!
Finally I have to say that the photos of the these wonders do NOT do them justice. They look amazing in the flesh with attention to detail as befits master craftsmen. In a word, stunning!
I'll post the Lp pics in my next post....
So, where to start? The very first vinyl I put on was a funnily titled album called 'My Get Up And Go Just Got Up And Went' by a chap called Ass (Andreas Söderström). It's a sort of acoustic guitar with strange sounding instruments thrown in for good measure. It sounded absolutely stunning though the Dubh's. Everything Derek and Nigel spoke about already was there in spades - separation, dynamics, spatiality, clarity and completely effortless detail. It was a stunning start!
After that things went slightly awry as I wasn't getting the bass I knew was on the records. When we came back after having a lovely lunch (thanks Derek) I put on a Jessika Kenney Lp (Aestuarium). I sat in the same chair which, incidentally, was almost in the middle of the room. Again it sounded wonderful. The stunning interplay of vocals and viola was a joy to the ears. Completely natural. Then I put on 'Dies Mei' which has a repeating hand drum pattern played by Jessika's partner Eyvind. However I wasn't getting the lovely repeated unforced deep sounds that I know from my own system. Then Fergus suggested I sit further back (on the stairs) which, he rightly pointed out, mimics my own listening position at home. Wow! What a difference! Now I was getting the sound I knew was on those drums. And......I also knew from that moment on that all the earlier stuff I wasnt completely happy with would now sound as they should. They did and thrillingly so.
Then came the moment I was dreading:namely the Electronic(a) albums I brought along. Will the Dubh's do ample justice to the bass frequencies. "Ah well, here goes" says I :) The first piece on the tt was 'First Date - Jumble Sale' from 'Meet Next Life' by Isan. When the bass kicked in I nearly fell off the stairs lol! Wow!!!! The bass was there in spades and sounded so natural and unforced, if that's possible from Electronic music. Then with a twinkle in my eye I put on 'One Man Abandon' which has the most delicious analogue electronic bass known to mankind. This time I did fall off the stairs lol! Again wow!!! Why do you people talk about tight bass this that and the other. This is more than I expected from a pair of drivers. Oh and before I forget, I honestly thought Derek had switched in a super tweeter the detail was that incredible. Now I know these two tracks inside out and the Dubh's just kicked them into a whole new level of insight. Marvellous :)
So it's a no brainer that I have to hear these babies with my own setup asap. Also a big thank you to Derek and Fergus for putting up with me and for making me feel so welcome (and well fed!). THANK YOU!
Finally I have to say that the photos of the these wonders do NOT do them justice. They look amazing in the flesh with attention to detail as befits master craftsmen. In a word, stunning!
I'll post the Lp pics in my next post....