Diapason wrote:The whole "good bass standing up, no bass sitting down" is a problem I'm well familiar with and is primarily a function of speaker/room interaction. Steve had the same problem when he had 802s, in that certain bass frequencies were just about inaudible due to standing waves. No amount of cable changing and amp power will solve this particular one, but small moves in speaker and/or listening position can help. Also, clutter is good. I think the 802 design can be difficult in this regard.
Odd that you have to turn your Wadia so low. I was under the impression that it was a simple enough change, and that Wadia had designed it so that basically any amps could be accommodated. What level are you listening at with your Lavardin? 8 seems crazy low, and it makes me wonder if your player is set for very high output voltage indeed.
DaveF wrote:Mods, this thread is still in the music section. Shouldnt it be moved to 'General'?
Done
Ref: 'standing up/sitting down bass' issue. Something of a relief that others recognise that one....I was almost embarrassed to mention it, seeing as it does imply being in a room,probably alone, and repeatedly standing up and sitting down with a funny facial expression on (anguished,confused,?, head cocked to one side or the other) for 'no apparent reason'. Imagine how it might look to the unafflicted! I am already surrounded by 'unbelievers' who just don't get the HIFI thing!
And my experience is that as you say, change in position and the addition of cushions & clutter in the room do sort that out. As above, I ended up with the speakers 5ft from the walls. Right now I am back to what feels more room friendly 3ft, and with spiking which may or may not be helping, but that problem seems largely solved.
I think the Cam400's have made a big difference to a whole range of bass frequencies as well...in that there seems a lot 'available' in the sound picture, without having the feeling that they are washing over/mixing together. This is my own makey/uppy language, maybe I am talking about 'grip' and 'control'. But there is something more comfortable and assured (?) about it all.
For the most part, problem solved. But then there is/was a particular limited range of frequencies which when featured messed the whole picture up causing unimaginable (to most!) frustration, to the point of lying awake at night imagining which internal walls I might get away with demolishing! The Leonard Cohen bass players like this frequency. I also have some cabinets at the back of the room the doors of which like to hum along with that one.
Which leads back to the room/speaker appalling vista.....
Here comes "I have a cunning plan..." i.e. the current experiment which may well be as clever as one of (Blackadder) Baldriks plans...more later.
One consequence of all the above is that I have been spending too many hours listening to fragments of music over the last 10 days or so, trying to problem discern/solve. As we say in Kerry, 'I'm gone simple from it'.
So, good to be out at work these days, limited listening time and probably in better space to assess.
Regarding the Wadia: when partnered withe the Lavardin I had the dial always at 100 and the Amp volume control at 25 to 30% generally. When plugged into the Cam's, max comfortable for me would be 30, and the track played at 08 was loud enough!.
I'm pleading complete ignorance of the technical issues here.