Yea, it's not a difficult job to rewire them
Toshiba MOSFETs with a twist
Re: Toshiba MOSFETs with a twist
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For Digital Audio playback that delivers WHERE the performers are on stage but more importantly WHY they are there.
Re: Toshiba MOSFETs with a twist
I did it on some akg k700 put a 4pin xlr plug on it
Makes a substantial difference
Makes a substantial difference
sd card player, modded soekris dac, class a lifepo4 amp or gb class a/b amp, diy open baffle speakers based on project audio mundorf trio 10's
Re: Toshiba MOSFETs with a twist
Yep nice difference even when not driving them balanced.
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For Digital Audio playback that delivers WHERE the performers are on stage but more importantly WHY they are there.
For Digital Audio playback that delivers WHERE the performers are on stage but more importantly WHY they are there.
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Re: Toshiba MOSFETs with a twist
Are there any already available at an affordable price which come ready-wired for balanced? My HD668Bs have a TRS 3.5mm connector right beneath the 'left' transducer, looks like that would need swapping out for a TRRS, along with the connecting cable.
Re: Toshiba MOSFETs with a twist
Don't think so at Superlux prices - they tend to be targeted towards 'audiophiles'.abraxalito wrote: ↑Wed Jul 26, 2017 12:53 pm Are there any already available at an affordable price which come ready-wired for balanced? My HD668Bs have a TRS 3.5mm connector right beneath the 'left' transducer, looks like that would need swapping out for a TRRS, along with the connecting cable.
It's a pretty easy mod especially for you. I have each can wired independently with very flexible Belden microphone cable - I haven't put a 4 pin XLR plug on the end as I will probably use a mini-xlr plug & socket
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For Digital Audio playback that delivers WHERE the performers are on stage but more importantly WHY they are there.
For Digital Audio playback that delivers WHERE the performers are on stage but more importantly WHY they are there.
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- Posts: 230
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Re: Toshiba MOSFETs with a twist
Wendy's having a search on Taobao to see if there's anyone who'll rewire cans as a service. We shall see what shows up....
Re: Toshiba MOSFETs with a twist
yesjkeny wrote: ↑Wed Jul 26, 2017 1:01 pmDon't think so at Superlux prices - they tend to be targeted towards 'audiophiles'.abraxalito wrote: ↑Wed Jul 26, 2017 12:53 pm Are there any already available at an affordable price which come ready-wired for balanced? My HD668Bs have a TRS 3.5mm connector right beneath the 'left' transducer, looks like that would need swapping out for a TRRS, along with the connecting cable.
It's a pretty easy mod especially for you. I have each can wired independently with very flexible Belden microphone cable - I haven't put a 4 pin XLR plug on the end as I will probably use a mini-xlr plug & socket
mini xlr looks good
http://ie.farnell.com/rean/rt4mp/plug-t ... dp/1813721
http://ie.farnell.com/rean/rt4fc-b/sock ... dp/1813719
sd card player, modded soekris dac, class a lifepo4 amp or gb class a/b amp, diy open baffle speakers based on project audio mundorf trio 10's
Re: Toshiba MOSFETs with a twist
is the superlux wired with two gnds one per side or is it common?
sd card player, modded soekris dac, class a lifepo4 amp or gb class a/b amp, diy open baffle speakers based on project audio mundorf trio 10's
Re: Toshiba MOSFETs with a twist
Wish I had a willing assistant like that :)abraxalito wrote: ↑Wed Jul 26, 2017 1:40 pm Wendy's having a search on Taobao to see if there's anyone who'll rewire cans as a service. We shall see what shows up....
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For Digital Audio playback that delivers WHERE the performers are on stage but more importantly WHY they are there.
For Digital Audio playback that delivers WHERE the performers are on stage but more importantly WHY they are there.
Re: Toshiba MOSFETs with a twist
The common ground is disconnected & each side gets it's own ground - wouldn't be differential otherwise
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For Digital Audio playback that delivers WHERE the performers are on stage but more importantly WHY they are there.
For Digital Audio playback that delivers WHERE the performers are on stage but more importantly WHY they are there.