Aleg wrote:2channelaudio wrote:...
The ear can't discern above 88khz resolution anyway... so DSD seems a rather futile pursuit.
A bold statement posted as if it would be true/truth!!
Where is the backup for such a statement?
Depending on what you exactly mean it might be wrong in several different ways.
Hi Aleg,
I'm not going to argue this with you.
This topic has been argued and argued.
Ill let the experts - who are much smarter and educated on the topic than me present the case.
I probably shouldn't have used such a blanketed statement, which only serves to irritate gents like yourself.
There are many factors and complex issues which could be discussed.
Here's a snip'it' of a response.........
Nyquist taught that a sampling rate needs only to exceed twice the signal bandwidth.
So this would suggest, to accurately record sound within the 20hz-20khz audible freq range a sampling rate of 44.1khz would be sufficient. (This is assuming of course you can actually hear the extremities of this freq band..... lol )
http://en.wikipedia.org/wiki/Nyquist_rate
From Lavry paper links below:
What is the audio bandwidth? Research shows that musical instruments may produce energy
above 20 KHz, but there is little sound energy at above 40KHz. Most microphones do not pick
up sound at much over 20KHz. Human hearing rarely exceeds 20KHz, and certainly does not
reach 40KHz. The above suggests that 88.2 or 96KHz would be overkill. In fact all the
objections regarding audio sampling at 44.1KHz, (including the arguments relating to pre
ringing of an FIR filter) are long gone by increasing sampling to about 60KHz.
Excellent links..... white papers.
http://www.lavryengineering.com/pdfs/la ... _audio.pdf
http://lavryengineering.com/pdfs/lavry- ... theory.pdf
Ill leave it there.
There's really no point continuing down this line.
PM me if your interested in discussing.
Cheers