
an early morning session with Martha...
I do not have many of her performances but I do like her playing.Jared wrote:^^ how do you find that disk, Fergus?
TL is particularly good with English repertoire... her Delius Violin Sonatas are of a very high standard..
there is a subtle difference... Sean is a devil for bashing RVW whenever he gets an opportunity (as a fellow RVW fan, I'll be the first in line to slap his legs when he next warms to his favourite theme... )Diapason wrote:Jared, you're killin' me, I love Debussy's Prelude to an Afternoon on the Phone. What with the Vaughan Williams bashing from Sean and now this...............
my shelves are filling up rapidly with Mozart, Schubert, Beethoven, Haydn, Brahms (peculiarly, Sean also has a small appreciation bypass here as well.. I'm going to try and cure him of it), Bruckner, Mahler, R Strauss, Schumann and Mendelssohn, besides Czech, Russian, British & Scandinavian repertoire. I also like most things Baroque & Rennaissance that I've heard, so my repertoire is reasonably broad.Diapason wrote:Hey, the ears want what they want! (I still struggle with Mahler, and that's definitely all my own problem as well, so I'm not in a position to point fingers or persuade you otherwise!)
Interesting that virtually that whole period of French music does nothing for you, though. I don't know that I quite agree with Boulez's view that modernity awakes with the Faun's flute, but this music certainly stands at the interface, and for that alone I find it quite exciting. Perhaps it's cos I'm not a true romantic...
Get him Simon! ;-))Jared wrote:There are however four areas I REALLY struggle with however:
4) The Organ. Really, it's a terrible instrument which depresses me thoroughly... much rather listen to the harpsichord, any day...